Ralph Kerles Art

The Unconscious Inference

Unconscious Inference 2 - 1500 x 1000mm

Unconscious Inference 2 - 1500 x 1000mm

Often when I see an image for the first time I think is worthy of being a potential new piece, I attempt to title it. Sometimes the title comes immediately. The abstraction in the work is apparent at first glance and will name itself. At other times, titling the work is a real challenge. Sometimes an artwork will simply not give up a title that seems a suitable descriptor for the content in the work.

In my favourite current read “the Age of Insight” , written by Eric Kandel, Nobel Prize Winner and Founder, the Center of Neurobiology and Behaviour, Columbia University, offers an interesting explanation as to why this might be the case.

Kandel suggests our brains have an upward and downwards sensemaking operating mechanism. In the front of our forehead lies the thalamus. This part of the brain operates as a major learning mechanism through its interactions with the external world. It is here where the brain first encounters the experience of seeing, hearing, smellingetc before it enters the cerebral cortex. At the back of our skull lies the hindbrain made up of the cerebellum, pons and medulla, the repository of our genetically pre-disposed sense of being. It is the part of the brain that deals with our innate sense of survival.

A connection along the brain’s synapses must occur between these two elements for us to make sense of our world. These connections occur rapidly, continually in the moment, as we sense and filter the stimuli in the world in which we live.

Therefore it is not uncommon, indeed some would argue it is common, for external stimuli the brain doesn’t immediately recognizes, results in an illusion. The brain needs to have an immediate answer for what we are experiencing in the moment so it can ready itself for its next moment of perception.

Kandel calls this phenomenon “unconscious inference.” This is what I am experiencing when my brain can’t quickly give a title to one of my works.


I tried and tried to name this new piece. The elements in my brain failed to make a meaningful connection so I have titled it “Unconscious Inference 2” the second piece to hold this nomenclature. May be there is an exhibition in the offering.

Perhaps your brain might perceive this differently, make a quick connection and come up with a better title. How did your brain experience this visual? I'd love to know.

Norvik Banka, Riga, Latvia hangs Australian Ralph Kerle's Art

Wonderful to see my work featured in the corporate head office of Norvik Banka Riga Latvia. Thanks to Vineta Straznova, owner at CREA Gallery Riga Latvia who has worked tirelessly to promote my work. Great big thanks and hugs!! Just the beginning..And thanks to Imagehouse Latvia for their thoughtful and contemporary office design.

Ralph Kerle on Arts About with Sally Baillieu and John Laird

Life on the Lowlands

Life on the Lowlands

Arts About is a weekly arts programme presented by Melbourne cultural cogniscenti Sally Baillieu and John Baird on RPP FM covering all things art and culture in Melbourne, Australia.

In this broadcast, I had the opportunity to talk about how I make my work and the original influences that took me on the journey.

 

Why do novel experiences feel more intense gritty and real?

The Red Masked Mast

The Red Masked Mast

A fabulous article by Daniel J. Siegel, a clinical professor of psychiatry at the UCLA School of Medicine, the founding co-director of the Mindful Awareness Research Center at UCLA, and executive director of the Mindsight Institute. His latest book is Mind: A Journey to the Heart of Being Human (2016) summarizes the thinking I experienced when I first started working on this series. It articulates beautifully how the mind tends work around habit and thus why as an artist you need to keep fresh in order to explore and find the novel both in your art and in your life.